February 11, 2001
Where the Earth Meets the Sky
By MARCIA R. LIEBERMAN
HEN I
first heard of a Jeep safari in Himalayan India, I was puzzled.
I had traveled in the Himalayas and knew that it was rare to be
able to get anywhere in those mountains other than on foot. But
the region of Spiti, in Himachal Pradesh, in India's north, is
an exception: it offers Jeep travel as well as trekking
possibilities.
I knew little about Spiti except that it
was the site of one of the greatest surviving monuments of
Tibetan art, the Tabo monastery. We learned more in the summer
of 1999, while trekking through Ladakh and Zanskar, just to the
west, with a guide from Spiti. Together, these regions were once
part of western Tibet and remain ethnically Tibetan. Intrigued,
we planned a trip for August, 2000.
We arranged our
three-week tour through Aquaterra Adventures, an Indian agency
specializing in Himalayan travel. Our safari consisted of two
Jeeps. My husband, Phil, and I, along with our guide, rode in
one. Sukman, our cook, and his helper followed in the second
with the food, fuel and general camp gear.
Two careful
Indian drivers negotiated the trans-Himalayan roads,
occasionally fording rivers and ascending steep, rocky tracks
signposted as "jeepable." That there were roads through this
rugged terrain, even roads that were only jeepable, was
astonishing enough. "This place is no place for men," Rudyard
Kipling wrote of Spiti in his novel "Kim."
Yet the
presence of these roads allowed us not only to drive along the
Spiti Valley but also to explore side valleys on the way.
Typical daily excursions varied from 20 to 60 miles.
We
camped sometimes in spectacular, vast, empty spaces next to
mountain lakes, at other times beside farms. We took our own
sleeping bags and tent, although Aquaterra can provide all
necessary gear. We visited thousand-year-old Buddhist
monasteries and traditional villages — places that in other
parts of the Himalayas can be seen only by strenuous hiking.
Departing from Manali (having arrived there by car from
Delhi), we approached Spiti from the valley of the Chandra
River, then drove to the Lake of the Moon — the Chandra Tal. We
reached the Chandra Tal in two days, stopping to camp overnight
beside the Chandra River.
The Chandra valley, sown with
boulders, looks like the bowling alley of savage gods. We turned
off the road onto a narrow, stony track. Our driver, with steady
nerves, proceeded cautiously as we climbed high above the
valley, with precipitous drops to one side. It seemed as if we
were heading into the heart of a wasteland, when we suddenly
caught sight of the lake, its searing turquoise color a visual
shock in this barren, stony landscape.
Our crew set up
camp above the lake, at 14,000 feet. I found myself a little
breathless, but it helped to walk around slowly. With Dorje, our
personable young English-speaking guide, we strolled around the
milelong lake. The shores were tinged with pale green, dotted
with a profusion of tiny edelweiss. Beyond the lake rose
distant, sharp- edged mountains capped with snow. In the late
afternoon sun the bare, craggy slopes turned pastel shades of
sand, peach and mauve. Waterfowl with long dark beaks, white
underbellies, and brown backs cruised the water.
Himachal Pradesh is creating a park here, and we came
across workers laying out a path. The only other person we saw
during our walk of an hour and a half was a shepherd at the far
end of the lake, tending a flock grazing on a green meadow. How
could a place so verdant, I wondered, suddenly appear in the
midst of what seemed a wasteland? But such surprises, we were to
discover, characterize this land of abrupt changes.
That
night, as he did throughout the trip, Sukman served us a tasty
and varied vegetarian meal. His specialties included traditional
dal (lentils) with rice, noodles cooked with vegetables, potato
dishes, and momo (Tibetan dumplings), along with stir-fried
vegetables. Dessert was usually fruit, but once there was an
apple tart and once a chocolate cake. For breakfast we had
porridge or cold cereal; pancakes and eggs were offered as well.
Lunches were usually chapatti (Indian flat bread) sandwiches
filled with peanut butter and jam, with a bit of cheese or a
packet of cooked potato or mushrooms.
The next morning
Dorje led us from our campsite on a trail from which we gazed
down on the valley we had traversed the day before by Jeep. Here
above, in contrast to the barrenness below, the slopes were
green and the Pier Panjaal mountain range spread before us in a
splendid panorama.
Crossing over a ridge, we descended
three and a half hours later and rejoined the road at the Kunzum
Pass, where our two Jeeps met us. Here was a small Buddhist
shrine festooned with Tibetan prayer flags, a flurry of
brilliant color against a backdrop of snowy mountains. We
watched pilgrims stop to pray and touch something on the shrine.
Dorje explained that they put a coin on a stone embedded within
the shrine; if one's heart is pure, the coin will stick —
otherwise it will fall.
We camped in Losar, the first
village we came to in Spiti. Its few houses are in the Tibetan
style, whitewashed cubes with tiny windows outlined with black
paint, and a black-and-red stripe painted just below a flat roof
piled with brushwood and bristling with prayer flags. A
grandmotherly old woman near our camp was making tsampa, the
staple food of Tibetan peoples. She scooped up grains of parched
barley from a mat, tossed them into a flat pan, and roasted them
over a fire. Beckoning to us with a smile, she offered us a
taste; the tsampa had a pleasingly nutty flavor.
Dorje's
family came from Spiti, and wherever we stopped, there was
always a friend to shake hands with. At Yangchen Choling
convent, home to 15 Buddhist nuns who raise medicinal plants,
the mother superior asked Dorje for a ride up the road, and we
welcomed her into our Jeep. When we stopped at the village of
Kiato to visit a small monastery, a man in a nearby house hailed
Dorje and asked him to come in. We were invited too, and joined
a large, jolly family eating a late-morning meal of dumpling
soup. We sat cross-legged on a mat, and were offered cups of
Tibetan tea, a brew flavored with salt and yak butter.
The village of Dankhar, formerly the capital of Spiti,
is the site of one of its oldest monasteries, in a spectacular
site atop a rocky crest overlooking the confluence of the Spiti
and Pin Rivers. Below the whitewashed monastery, the little
village seems to hang down the slope, its emerald fields of
barley in startling contrast to the barren landscape. A steep
path led us to the chapels, of which the topmost is balanced on
the cusp of the cliff, with a bird's-eye view of the Spiti
valley.
An hour's hike above the monastery brought us to
Dankhar Lake, its deep blue-green color strikingly different
from the turquoise Chandra Tal. Behind pinkish-brown hills rose
a distant backdrop of snowy peaks. Tiny black salamanders
scurried along the shore; we watched a bird neatly spear a fish.
At a higher altitude, the color of the sky deepened to pure
lapis lazuli. The silence was absolute, and we were alone: a
side of India totally unexpected.
Although one
attraction that lured us to Spiti was Tabo, its greatest
monastery, nothing prepared me for the actuality. Tabo is one of
the glories of Tibetan art. I had imagined a single big temple
but found instead a large complex with numerous chapels besides
the main prayer hall, nine painted rooms in all, with
magnificent murals.
Built in 996, Tabo is a rare survivor
from the early period of Tibetan Buddhism and contains a
treasure of superb early Indo-Tibetan art. It was founded by the
10th- century scholar Rinchen Zangpo, whose translations of
Sanskrit texts were of fundamental importance to the
establishment of Buddhism in Tibet. Tabo is not merely a
monastery, or gompa, but also a chokhor, a scholastic
foundation, akin to the great medieval European monastic centers
of learning. It now has a community of 50 monks. While we were
there, several other groups of tourists arrived, but there were
no crowds.
Tabo's oldest paintings, from the mid-11th
century, are in the Tsug Lhakang, the main prayer hall. Buddhist
deities, broad-shouldered and narrow-waisted in Indian and
Kashmiri style, are shown against a background of scrolling
vines and flowers. The paintings also depict great lamas,
historical personages and a host of colorful witnesses in
various sorts of central Asian dress.
Placed around
the walls are painted clay statues, the finest sculptural
examples of the period. The arrangement of these paintings and
statues forms a unified composition, a mandala that illustrates
the path to enlightenment. Other highlights include the
16th-century murals in the Serkhang Chapel and the painted
ceiling of the Domton Lhakang Chenpo.
Equally worth
visiting is Phu, a small cave gompa across the road, considered
part of the original Tabo group. Its paintings also date from
the early 11th century.
We found comparably superb
paintings and statues at Lhalung Gompa, a thousand-year-old
Buddhist monastery nearly 13,000 feet above a tributary of the
Spiti River. Here an elderly lama solemnly told us that Lhalung
was one of three monasteries built on the same night by Rinchen
Zangpo (the other two being Alchi, in Ladakh, and Tabo). The
great willow tree in the courtyard, he added, had also been
planted by the sage, as a stick. We murmured politely in wonder,
but later, as we drove down from the monastery through a
landscape of gigantic formations of rock, with walls as big as
the north face of the Eiger, dwarfing any human sense of scale,
it suddenly seemed that the stories could indeed fit this
impossible landscape.
Knowing that we wanted to see
traditional village life, Dorje led us to Mane, a village
completely off the usual tourist circuit, home to 250 people. We
strolled for several hours through fields of peas, wheat and
barley, which men and women were harvesting with sickles. Above
the upper village, we watched a man threshing with 12 donkeys,
singing as he drove them round and round, while another man
flattened an earthen threshing floor with a wooden mallet.
Around the village houses were kitchen gardens blooming with the
pink and white flowers of young potato plants.
In the
hamlet of Shego, we camped at a farm beside fields of peas and
barley, while attending a great ceremony, a Kalachakra
initiation, held by the Dalai Lama at the nearby Kyi monastery.
The festival included a day of traditional dances. When the
farmer's wife asked if we could take her to the festival, we
happily agreed. In her finest traditional dress, her baby
wrapped in a shawl, she climbed into our Jeep. We sat together
at the outdoor festival amid a great throng of local people as
well as some tourists, through which we could just barely see
the Dalai Lama, who sat in a covered pavilion.
That
evening the farmer's wife invited us for tea. We sat in a room
with mud floors and a ceiling of twigs and branches, where she
served us a plate of sweet, freshly picked peas with Tibetan
tea. In this room, traditional in every way, an Indian movie
flickered on a television set — the reception blurry and the
sound poor, yet a sign of change coming even to this remote
mountain land.
Another day we visited a few remote
monasteries, and again met a surprise. Above a deep, narrow
gorge, we emerged into green, rolling country, a landscape
unlike any we had yet seen. Cows and yaks grazed on grass and
little green shrubs, and the snow-topped mountains were even
closer.
After visiting a small gompa, we sat on the
ground to eat lunch. A little girl, her baby brother on her
back, toiled up the slope to sell us a few ammonite fossils,
abundant in this region. I offered her the chocolate bar our
cook had put in my lunch bag. I had never given candy to the
children who, across the Himalayas, beg for sweets, but she had
not begged. She shook her head. She had never seen chocolate and
was afraid to try it.
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